It’s a Celebration! Tymisha Harris’s Cabaret of Legends Wants to Party at Victoria Fringe

Tymisha Harris brings generations of musical history to life in Cabaret of Legends, a five-star Victoria Fringe performance celebrating influential Black women, their activism and their songs.

A Cabaret of LegendsTymisha Harris and Michael Marinaccio
Dynamite Lunchbox Entertainment | Orlando, FL

Tymisha Harris should be a legend in her own right. This year, she’s pulling out all the stops with Cabaret of Legends, a celebration of the Black women who helped shape the music industry. In the past, not only has she led many award-winning performances, including her fabulous tribute to Josephine Baker, but she must also be a D&D nerd. Fringin & Flagons is a show I have to see. I may have missed hearing about it the last time she was in town, but now that I know, awareness is half the battle.

The talents Harris celebrates refused to be confined to juke joints and church choirs. They were no one-hit wonders. They were trendsetters. It must have been tough to decide which songs to sing, but Harris manages to name-drop them all. It made me glad I took a History of Blues Music class years ago. From Bessie Smith to Etta James, these pioneers paved the way, with Koko Taylor being a personal favourite of mine. Let’s not forget Aretha Franklin or Dolly Parton, either. If the show had been longer, I’m sure Harris would have loved to sing them all.

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Fright Fest’s Ravenous, Unseen Ithaqua Reinvents the Wendigo Legend

Casey Walker’s Ithaqua transforms the frozen Canadian wilderness into a Western Gothic nightmare where hunger, colonialism and the Wendigo legend converge. Luke Hemsworth leads this brutal survival tale where the cold may be the least dangerous thing outside.

Ithaqua Movie Poster World Premiere
Played at Fright Fest 2026
on Sat 29 3:30 PM (BST)

Life in the Canadian wilderness can be rough. It’s even tougher once those brutal winters settle in and settlers are forced to huddle together in huts, where the only warmth comes from a fire burning beneath an opening for smoke to escape. And no, those aren’t smoke signals to signal something specific. When the name Ithaqua isn’t widely known, it takes a talent like Casey Walker to convey the intent. Between Walker and co-writers Pascal Trottier and Peter Scott Vicaire, who flesh out the lore and world, what’s presented is haunting and eerie.

Between expectations created by the title and how August Derleth used Ithaqua in his fiction, there’s no cosmic horror this time. It’s survival through and through, and I’d label this film Western Gothic, especially given its fantastic cinematography and depiction of survival in the snow. Frosted water creates alien textures, mist hangs over the lake, and the environment itself feels alive. The question becomes: who reigns in this world? The answer suggests someone does, and that’s a cat-and-mouse game I can get behind!

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When Mathieu Fortin’s The Parrot Isn’t Squawking Release Me, Release Me….

…that’s because it’s being held captive by Bell Media! It’s not a bad thing, but when The Parrot needs to spread his wings, and tell all, let’s hope this producer has plans to expand this bird’s reach.

The Unearthly Notes The Parrot PosterBefore reviewing Mathieu Fortin’s The Parrot, and again afterwards, I had to search online and hunt through my various books examining the themes common in H.P. Lovecraft’s fiction. I wanted to see if there was any mention of talking birds revealing the secrets of forgotten cults before moving forward. I knew this filmmaker’s idea came from The Notes and Commonplace Book of H.P. Lovecraft. While there are no specific mentions of a parrot in the book, the ideas are certainly there.

The most telling lines from the public-domain scan are the following. On page three, it reads: “As dinosaurs were once surpassed by mammals, so will man-mammal be surpassed by insect or bird—fall of man before the new race.” Page eight offers two tantalizing clues. The line that inspired this work reads, “[A] talking bird of great longevity—tells secret long afterward,” but I suspect Fortin drew upon more than that single note. Another speaks of “Ancient and unknown ruins—strange and immortal bird who speaks in a language horrifying and revelatory to the explorers.”

Continue reading “When Mathieu Fortin’s The Parrot Isn’t Squawking Release Me, Release Me….”

Randy and Elizabeth: A Savage Love Story Review, Macho Man Lives Again at Victoria Fringe 2026

Geoff Hughes channels the larger-than-life spirit of “Macho Man” in Randy and Elizabeth: A Savage Love Story. This show does more than explore the wrestler’s relationship with Miss Elizabeth in this affectionate and surprisingly personal Victoria Fringe performance.

Randy and Elizabeth A Savage Love StoryVCM Wood Hall (Fringe Venue 2)
900 Johnson St, Victoria, BC

Although the late, great “Macho Man” Randy Savage didn’t have a massive career as a voice actor relative to his wrestling fame, I’d recognize that machismo a mile away. What Geoff Hughes offers in Randy and Elizabeth, A Savage Love Story is more than an homage. Although I’m reliving this character through a selective lens, namely in his performance from Duck Dodgers, when he played the Master Sergeant, and Bolt, where he played a Thug, I can appreciate the vocal energy. Instead of recounting Savage’s entire career strictly from a fan’s perspective, this performer, and host of the Legendary Wrestling Obsession podcast, makes every moment feel alive.

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2026 Update. Casey Walker Interview: Home Bodies, Ithaqua and Worlds Beyond the Door.

In this Casey Walker interview, the filmmaker talks about expanding Home Bodies beyond its original script, working with Ian and Emma Ho, and finally bringing Ithaqua to audiences after 14 years.

Casey Walker InterviewIn this Casey Walker interview. we get to talk to him about more than what’s changed for him after a decade of producing and getting back to the director’s chair. This filmmaker reflects on why he never stopped producing genre flicks in between regular work for television. That’s because that’s what he loves. Ever since his debut film, A Little Bit Zombie, he’s carved out a niche that is uniquely his.

When asked about how does he do it, his answer is simply, “I just focus on making something that I’m going to be really happy with because I never know when I’m not going to be able to ever do it again.”

It shows in works he’s executive produced too, like The Void, where he helped shape someone else’s vision. He’ll support and guide when needed, but when he’s in the captain’s chair, there’s a lot more to be aware of.

When comparing his past work in television and independent film to what he’s making now, he noted, “There’s definitely a bit of horror in everything I do. As for comedy, I think they’re very interlinked. I love the levity that comes with it, so it’s like the scary stuff and the relief through the humour has always attracted me to the things I’ve made. So yeah, they’re kind of synonymous.” Continue reading “2026 Update. Casey Walker Interview: Home Bodies, Ithaqua and Worlds Beyond the Door.”

How Far Can Insidious Out of the Further Go? Sequelitis Is Hard to Shake

Insidious Out of the Further takes another trip into its shadowy pocket dimension, but recycled scares and a stubborn case of sequelitis keep its strongest ideas from breaking free.

Insidious Out of the Further PosterSpoiler Alert

One can call me a sucker for what Leigh Whannell created with the Insidious franchise. He had some great ideas concerning where one can go when either asleep or when someone has died, and has unresolved issues. Also, it’s hard to avoid making a play on words with the latest release, Insidious Out of the Further. The real question is how can this IP stay fresh six films in?

The Further is a pocket dimension which feels less like purgatory and more like a waystation to a better life. Those souls who get stuck there must have died in the worst possible ways and therefore, can’t move on. That’s either because of what they did or there’s a demon forcing them to stay. When there are other souls like Elise Rainier (Lin Shaye) choosing to remain here to help guilde the deserving out of there, I believe she’s like an Angel. The fact she’s chosen to remain behind to do this work since her death from the first film to now says everything. And when she said there’s somewhere better waiting on the other side, surely Heaven must exist.

Well, that’s my occult theory.

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