The Dark Ages of Demona’s Relationship with Disney Gargoyles – A Look Back

As most fans know, Dynamite Comics’ new monthly series picks up where the previous comics left off. Yet with Demona’s past still shaping the present, the Dark Ages saga may be far from finished. This overview concentrates on the animated series and Dynamite Comics monthly Gargoyles series; the earlier Slave Labor Graphics stories are not covered in detail.

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The trade paperback edition of this miniseries will be out Oct 21, 2026. Preoder here.

The Dark Ages of Gargoyles is ripe for further exploration should creator Greg Weisman choose to write another story arc. After revisiting the episodes while gathering screen captures for a modelling project, I found that Demona’s tragedy feels far worse during my umpteenth watch, especially after reading the added lore in Dynamite Comics. All the tales set in the past carry much more meaning.

Most fans already know the story begins when the Viking Hakon wants to plunder Castle Wyvern, which is occupied by Princess Katherine and protected by the gargoyles. Although that’s one conflict, another simmers among the people and creatures who call this patch of land home. The gargoyle who would become Demona does not trust humans. She views humanity as a blight (“Awakening,” Parts One to Five) and wants them all gone.

If she hadn’t become an apprentice to the Archmage, things might have unfolded differently. A lingering question has me wondering if her hatred is what drew the Weird Sisters to watch her. Had she chosen love, the fate of the entire clan might have been different. The Magus would not have cast his spell turning them to stone until Castle Wyvern was lifted over the clouds, and she would not have been alone.

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Love at First Splash: ChaO Comes Home!

ChaO brings its colourful mermaid romance, giant robots and boundless energy home on Blu-ray, with a digital release planned for Canadian viewers.

ChaO Blu-ray slipcase
GKIDS
Movie review can be read here.

Just when it seems summer is over, GKIDS is offering a second chance to anime fans who missed ChaO during its theatrical release, bringing the film home on September 22, 2026. The release is perfectly timed for anyone longing for a breezy return to those fondly remembered summer days under the boardwalk. That isn’t quite the film’s plot, of course, but ChaO does offer plenty of colour, energy and romance. For those who prefer streaming, a digital release is also planned specifically for Canadian residents.

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You Won’t Have to Catch ‘Em All in NYC! BALLS The Monster-Catchin’ Musical Comédy Hits YouTube For Free!

BALLS The Monster-Catchin’ Musical Comédy returns with an interactive NYCC screening before its filmed stage production premieres free on YouTube.

BALLS The Monster-Catchin’ MusicalGood news, Pokéfans. If you missed BALLS The Monster-Catchin’ Musical Comédy last year, it’s going to be put on stage again! This time, it’ll be part of New York Comic Con’s after-hours event schedule, with a one-night interactive screening on Saturday, October 10. The event will premiere the production’s so-called “leaked bootleg” before the filmed musical receives a free worldwide release on YouTube later that month. Brandon Zelman and Harrison Bryan’s effort has been hailed as Avenue Q for Pokémon enthusiasts, while other outlets have called it a must-see. As a parody, its joy and humour say it all.

The show follows an ambitious young monster catcher on a journey involving friendship, competition and presumably a few uncomfortable questions about making creatures fight for personal glory.

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The Mandalorian and Grogu Won’t Save Star Wars, But It’s Honestly Kind of Charming

At long last, The Mandalorian and Grogu is on home video (released August 25, 2026) and was it worth it for the bonus features?

The Mandalorian and Grogu PosterIs the Star Wars franchise dead? Considering how long it took me to finally watch The Mandalorian and Grogu, not even a cute baby Yoda is enough to get me watching new releases on a timely schedule. The IP is in a meh state, and I haven’t even watched The Ninth Jedi yet, despite its critical success and strong word of mouth. I need either originality or the return of characters I fondly adore to keep watching.

What has kept this galaxy far, far away alive for nearly fifty years is its love of pulp adventure. Those roots remain intact with this pairing, and the performances feel much more lived-in. But somehow, I didn’t feel the need to know what happened right away. All this cinematic offering does is show its version of “Lone Wolf and Cub” doing their thing, only better. The home video release reinforces that point with its standard collection of mini-docs and behind-the-scenes looks. The only aspect I cared to know more about was how Zeb, Embo and Rotta were translated from animation into live action.

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From Sunset Strip to Cthulhu’s Lair: Minions and Monsters Pulls Off a Wonderful, Essential Send-Up

With Minions and Monsters now out on home video, it’s a terrific film, but where’s the beef? The bonus features need to be buffed up to match the tribute the film makes.

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Available to purchase on Amazon USA

Minions and Monsters finally gives those little yellow, pill-shaped critters from Despicable Me a proper calling, and it is about bloody time. The home-video release looks superb on Blu-ray, although its basic selection of bonus features makes this less of a must-buy package than the film deserves. Ever since Sergio Pablos pitched the idea to Illumination, I have regarded them as natural heirs to cinema’s early comedians, like Buster Keaton. And to pay tribute to that fact, I’m glad what directors Brian Lynch and Pierre Coffin massaged into shape acknowledges all that and more!

And for those people who missed seeing this film on the big screen, the home video release gives viewers a chance to watch this film multiple times to pick out the scenes where this tribute shines the most. It is a marvellous send-up of the Silent Era and Hollywood’s Golden Age, with a specific Minion, James, taking centre stage. And I have to assume the narrative imagines how a new film industry might develop without D.W. Griffith defining its early days.

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On How ACME Corporation Became Warner Bros. Greatest #1 MacGuffin For Cartoons

Spoiler Alert: This study on ACME Corporation considers Dr. Lorre’s role in Coyote vs. ACME and its connection to Looney Tunes: Back in Action, along with Who Framed Roger Rabbit since these films brings together live-action and animated worlds together.

ACME CorporationACME Corporation was never intended to be a manufacturer of dangerous goods. Instead, it evolved into a place of innovation for nearly every Looney Tunes cartoon and movie released to date. And the latest film concerning Coyote suing for damages did not start the proceedings; it even dates further back than what Looney Tunes: Back in Action established. After rewatching as many Merrie Melodies shorts and other films outside of this studio as I can, I cannot help but wonder whether the production people from way back realised the meta-commentary they were creating, or why they chose this fictional company as the punch line behind every disaster-laden stunt.

Just how much directors such as Friz Freleng, Tex Avery, and Chuck Jones thought about ACME’s wider meaning is difficult to say. Still, someone had the idea for a gag that began as a joke on a label, trademarks notwithstanding. The name first appeared in Warner’s 1935 cartoon Buddy’s Bug Hunt, stamped on corks and flypaper. That modest use matters because it shows the original intent. The company was not yet one with executives, laboratories, lawyers, or a shadowy research division. It was shorthand for a generic product that could sit on any prop without distracting from the gag.

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